Born in 1967 in Seattle, WA; lives and works in Portland

1994-96 MFA in Painting and Printmaking, Yale University School of Art, New Haven, Connecticut
1990-92 AFA in Museum Studies, Institute of American Indian Arts, Santa Fe, New Mexico
1986-90 BS in Speech Communications and Art, Willamette University, Salem, Oregon


Untitled, Printmaking Retrospective, University of San Diego, Curated by John Murphy, Derrick Cartwright, and William Morrow, San Diego, California

Each/Other, Two-person exhibition with Cannupa Hanska Luger, Denver Art Museum, Curated by John Lukavic, Denver, Colorado

Turtle Island, Marc Straus Gallery, New York, New York

Artifact, Helzer Gallery, Portland Community College Rock Creek Campus, Curated by Petra Sairanen, Portland, Oregon
Pullman, Washington

Companion Species Calling Companion Species, Greg Kucera Gallery, Seattle, Washington

Companion Species (Underbelly), The Jordan Schnitzer Museum of Art, The Washington State University Museum of Art, Curated by Ryan Hardesty, Pullman, Washington

Companion Species, PDX Contemporary Art, Portland, Oregon
Western Door, The Rockwell Museum, Corning, New York

Site Santa Fe, Santa Fe, NM

Receiver, Greg Kucera Gallery, Seattle
Receiver, C.N. Gorman Museum at University of California Davis, Davis, CA

Cross Currents, Center for Visual Art, Metropolitan State University of Denver, Denver CO

Skywalker/Skyscraper, PDX Contemporary Art, Portland, OR
Lodge, Hallie Ford Museum of Art, Willamette University, Salem, OR
Cradle, Greg Kucera Gallery, Seattle, WA

Marker, PDX Contemporary Art, Portland, OR
Forget-Me-Not, Holter Museum of Art, Helena, MT
Forget-Me-Not, Tamastslikt Cultural Institute, Pendleton, OR

Forget-Me-Not: Northwest Museum, Spokane, Washington
Heirloom, Curated by Stephen Glueckert, Missoula Museum of Art, Missoula, MT
Pendleton Stories, Pendleton Center for the Arts, Pendleton, OR

Portraits, Greg Kucera Gallery, Seattle, Washington
Blanket Stories: Homestead, Center for the Arts, Jackson Hole Art Association, Jackson, Wyoming

Blanket Stories: Compass, Wright Museum of Art, Beloit college, Beloit, Wisconsin
Custodian, Installation, Think Tank Education Space, Seattle Art Museum, Seattle, Washington
Tread Lightly, PDX Contemporary Art, Portland, Oregon

Blanket Stories: Almanac, Nicolaysen Museum of Art, Curated by Ben Mitchel, Casper, Wyoming; traveling to the Boise Art Museum, Curated by Sandy Harthorn, Boise, Idaho
Blanket Stories: Album, Sun Valley Center for the Arts, Curated by Jennifer Gately, Ketchum, Idaho

Blanket Stories: Ladder, Curated by Margaret Archuleta, Institute of American Indian Arts Museum, Santa Fe, New Mexico
Blanket Stories: Receiving, Curated by Linda Tesner, Hoffman Gallery, Lewis and Clark College, Portland,

Continuum: Blanket Stories, Curated by Truman Lowe, Smithsonian National Museum of the American Indian,
NY, New York

Blanket Stories: Sewing Bee, Interstate Firehouse Cultural Center, Portland, Oregon

Letter Ghosts and Recent Work, Clatsop Community College Gallery, Astoria, Oregon

Blanket Stories, PDX Gallery, Portland, Oregon

Stack, Evergreen Galleries, Evergreen State College, Olympia, Washington

PDX Window Project, PDX Gallery, Portland, Oregon
Governors Gallery, Coordinated by the Oregon Arts Commission, Salem, Oregon
Sleep and Sleeplessness, PDX Gallery, Portland, Oregon

Courier, Skagit Valley College, Mount Vernon, Washington

Pedestrian, An In Situ Portland Project: Solo installation: River Overlook Park, Portland, Oregon

Courier, PDX Contemporary Art, Portland, Oregon
Navigation, Friendly House, Portland, Oregon
Introductory Show, two-artist exhibition: PDX Contemporary Art, Portland, Oregon


Never Done: 100 Years of Women in Politics & Beyond, The Frances Young Tang Teaching Museum and Art Gallery at Skidmore College, Saratoga Springs, New York
Companion Species, Crystal Bridges Museum of American Art, Curated by Mindy Besaw, Bentonville, Arkansas
Feminisms, 516 Exhibition at the Wheelwright Museum of the American Indian, Curated by Andrea Hanley, Santa Fe, New Mexico
On the Basis of Art: 150 Years of Women at Yale, Yale University Art Gallery, Curated by Elisabeth Hodermarsky, New Haven, Connecticut
Settlement, Pounds House, Organized by Cannupa Hanska Luger, Plymouth, UK
More than a Trace: Native American and First Nations Contemporary Art, K Art Gallery, Buffalo, New York
Larger than Memory: Contemporary Art from Indigenous North America, Heard Museum, Curated by Erin Joyce, Phoenix, Arizona
If You Have Ghosts, Alabama Contemporary Art Center, Curated by Ashley Stull Meyers, Mobile, Alabama
Heroines of Abstract Expressionism and FEM, Nassau County Museum of Art, Roslyn Harbor, New York

Making Knowing: 1950-2019, Whitney Museum of American Art, Curated by Jennie Goldstein & Elisabeth Sherman, with Ambika Trasi, New York, New York
Hearts of Our People: Native Women Artists, Minneapolis institute of Art, Curated by Jill
Ahlberg Yohe and Teri Greeves, Minneapolis, Minnesota
Place, Nations, Generations, Beings: 200 Years of indigenous North American Art, Yale University Art gallery, New Haven, Connecticut
Extended Self: Transformations and Connections, Hyde Park Art Center, Chicago, Illinois
To Make Wrong / Right / Now, Honolulu Biennial, Honolulu, Hawaii, Curated by Nina Tonga & Scott Lawrimore, Honolulu, Hawaii
Unraveling: Reimagining Colonization in the Americas, Sun Valley Museum of Art, Ketchum, Idaho
Re: Define, Heard Museum, Phoenix, Arizona
Revisions: Contemporary Native Art, Snite Museum of Art, University of Notre Dame, Notre Dame, Indiana
Don't Touch My Circles, Catharine Clark Gallery, San Francisco, California

Native North America, Crystal Bridges Museum of American Art, Bentonville, Arkansas
Continuum, Salish Kootenai College, Pablo, Montana
Wildlife, Pattern and Identity: Selections from the Collection of Jordan D. Schnitzer
Ucross Foundation Gallery, Clearmont, Wyoming

Process and Practice: 40 Years of Experimentation, The Fabric Workshop and Museum, Philadelphia, Pennsylvania
If You Remember, I'll Remember, The Mary and Leigh Block Museum of Art at Northwestern University, Evanston, Illinois
Outcasts: Women in the Wilderness, Wave Hill, Bronx, New York
Connective Tissue: New Approaches to Fiber, Institute of American Indian Arts Museum of Contemporary Native Arts, Santa Fe, New Mexico
Conversations in The Round House, Jordan Schnitzer Museum of Art, Eugene, Oregon
Hawks on the Highway: Prints from Crow's Shadow, Newport Visual Arts Center, Newport, Oregon
PDX -> PDT: Select Artists from PDX Contemporary Art, Pendleton Center for the Arts, Pendleton, Oregon

Unraveled: Textiles Reconsidered, Contemporary Arts Center, Cincinnati, Ohio
Art for a Nation: Inspiration from the Great Depression, High Desert Museum, Bend, Oregon
From the Belly of our Being: Art by and About Native Creation, Oklahoma State University Museum of Art, Stillwater, Oklahoma
Culture Shift: Contemporary Native Art Biennial, Art Mur, Montreal, Quebec
I want to do to you what spring does with the cherry trees, PDX Contemporary Art, Portland, Oregon
A Stand of Pine in the Tilled Field: 21 Years at PDX, PDX Contemporary Art, Portland, Oregon
Transferring Thought: Prints by Indigenous Artists, University of Colorado, Boulder, Colorado
Finding a Contemporary Voice: The Legacy of Lloyd Kiva New and IAIA, New Mexico Museum of Art, Santa Fe, New Mexico

Unsuspected Possibilities, SITE Santa Fe, with Sarah Oppenheimer and Leonardo Drew, curated by Janet Dees, Santa Fe, New Mexico
Let's Get Lost, PDX Contemporary Art, Portland, Oregon
Material Girls, Dunlop Art Gallery, Regina, Canada
Weaving Past into Present: Experiments in Contemporary Native Printmaking, International Print Center, New York, New York

Somewheres & Nowheres: New Prints 2014/Autumn, International Print Center, New York, New York

Sakahan, National Gallery of Canada, Ottawa, Canada

Changing Hands 3, Museum of Art and Design, New York, NY, curated by David McFadden and Ellen Taubman (traveling)
Shapeshifting: Transformations in Native American Art, Peabody Essex Museum, Salem, MA, curated by Karen Kramer Russell

oomph: enthusiasm, vigor, or energy. sex appeal: Anna Gray + Ryan Wilson Paulsen, Arcy Douglass, James Lavadour, Tad Savinar, Storm Tharp, Marie Watt, PDX Contemporary Art, Portland, OR
Bonnie Bronson Fellows: 20 Years, Hoffman Gallery, Lewis and Clark College, Portland, OR
Hiding Places: Memory in the Arts, John Michael Kohler Arts Center, Sheboygan, WI
Counting Coup, Museum of Contemporary Native Art, Santa Fe, NM, curated by Ryan Rice
Seattle as Collector: Seattle Office of Arts & Cultural Affairs Turns 40, Seattle Art Museum, Seattle, WA

Close Encounters: The Next 500 Years, Plug in Institute of Contemporary Art, Winnipeg, Manitoba, Canada

Vantage Point: The Contemporary Native Art Collection, Smithsonian National Museum of the American Indian, Washington, D.C.
When Dog Turns to Wolf, David Krut Projects, New York, NY
Show of Hands: Northwest Women Artists 1880-2010, Whatcom Museum, Bellingham, WA
Migrations: New Directions in Native Art, Sheldon Museum of Art, Lincoln, Nebraska

Twisted Path, Abbe Museum, Bar Harbor, Maine

Modern Art, Modern Lives: Then and Now, Austin Museum of Art, Austin, Texas, Curated by Andrea Mellard
Contemporary NW Art Award, Portland Art Museum, Portland, Oregon, Curated by Jennifer Gately
Distaff Tool Kit: Traveling Exhibition, Curated by Rickie Solinger
Women’s Work: Contemporary Women Printmakers from the Collections of Jordan D. Schnitzer and his Family Foundation, The Art Gym, Marylhurst University, Organized by Terri M. Hopkins (Director, The Art Gym) & John Olbrantz (Maribeth Collins Director of the Hallie Ford Museum of Art at Willamette University)
Tradition and Change: A survey of Contemporary American Indian Art, Northwest Museum of Arts & Culture, Spokane, Washington

Oh So Iroquois, Curated by Ryan Rice, Ottawa Gallery, Ottawa, Canada
Northwest Biennial, Tacoma Art Museum, Tacoma, Washington

No Reservations, Curated by Richard Klein, Aldrich Museum of Art, Ridgefield, Connecticut
Migrations: Traveling group exhibition, University Gallery, Organized by Marge Devon (Director, Tamarind Institute),
Albuquerque, New Mexico
Neo-Sincerity: The difference between the comic and the cosmic is a single letter, ApexArt, Curated by
Amei Wallach, New York, New York
Crow’s Shadow Institute Print Biennial, Hailey Ford Museum, Salem, Oregon

Everything is Drawing, Curated by Rebecca Dobkins, Hailey Ford Museum, Salem, Oregon

Artists Select: Invitational Group Show, Cumberland Gallery, Nashville, Tennessee

Artists in Residence, Oregon College of Art and Craft, Portland, Oregon
Craft Biennial, Oregon College of Art and Craft, Portland, Oregon
Building Tradition, Tacoma Art Museum, Tacoma, Washington
Form to Function, Kohler Gallery, Sheboygan, Michigan
18 Women Artists, Clatsop Community College, Astoria, Oregon

Sitka Center Invitational, The World Forestry Center, Portland, Oregon
Sitka Collaboration Exhibition, Pacific Northwest College of Art, Portland, Oregon
Slowness, The Art Gym, Marylhurst University, Marylhurst, Oregon
New American Paintings: Juried Exhibition-in-Print: curated by Lisa Dennison, deputy Director and Chief Curator of the Solomon Guggenheim Museum, Open Studios Press, Boston, MA
Faculty Exhibition, North View Gallery, Portland Community College, Sylvania Campus, Portland, Oregon
Inaugural Exhibition, Open Studios Gallery, Boston, and Massachusetts

The Bellevue Annual, Bellevue Museum of Art, Bellevue, Washington
Horse Tales, curated by Ezra Shales, Katonah Museum of Art, Katonah, New York
Contemporary Skeins, curated by Heather Rogers, Contemporary Craft Gallery,
Portland, Oregon
PDX at CCC, Clatsop Community College, Astoria, Oregon

Open Walls, Portland Institute for Contemporary Art, Portland, Oregon
Traditional & Contemporary Native Women Artists, Museum of Anthropology, Washington State University,
Pullman, Washington
Circle of Friends, curated by Lillian Pitt: Bush Barn Gallery, Salem, Oregon.

Introductory Show: two-artist exhibition: PDX Contemporary Art, Portland, Oregon

Time and Materials, The Art Gym, Marylhurst University, Marylhurst, Oregon

The Uncommon Book, Sun Valley Center for the Arts and Humanities, Sun Valley, ID
The Oregon Biennial: Traveling group exhibition, curated by Katherine Kanjo: Portland Art Museum, Portland,
Oregon; Schneider Museum of Art, Ashland, Oregon; University of Oregon Museum, Eugene, Oregon; Hallie Brown
Ford Museum of Art, Salem, Oregon
State of the Nations, Plan B Evolving Arts, Santa Fe, New Mexico

Traditions and Transitions, Brattleboro Museum of Art, Brattleboro, Vermont
MFA Thesis Exhibition, Yale University Art and Architecture Gallery, New Haven, CT


Oregon Arts Commission Career Opportunity Grant, Salem, Oregon
The Ford Family Foundation Hallie Ford Fellowship, Roseburg, Oregon
Crow's Shadow Institute of the Arts Printmaking Residency with Master Printer Frank Janzen, Pendleton, Oregon

Doctor of Fine Arts (Honoris Causa), Willamette University, Salem, Oregon
Printmaking Residency with Master Printer Julia D'Amario, Smith College, Northampton, Massachusetts

Art Matters Grant, New York, New York

Sitka Center for Art and Ecology Printmaking Residency, Otis, Oregon

LandMarks: Indigenous Australian and Native American Artists Explore Connections to the Land, International Artist Residency, Tamarind Institute, University

Smithsonian Artist Research Fellowship, Aspen, CO

Crow's Shadow Institute Printmaking Residency, Pendleton, OR

Artistic Innovation Grant, Native Arts & Cultures Foundation, Vancouver, WA

Fabric Workshop + Museum, Residency, Philadelphia, Pennsylvania
Bonnie Bronson Fellowship Award, Portland, Oregon
Oregon Arts Commission, Oregon Individual Artist Opportunity Grant
Regional Arts and Culture Council, Individual Artist Project Grant
Willamette University, Ford Building Art Commission, Salem, Oregon

Patron Print, Gilkey Center, Portland Art Museum, Portland, Oregon
Lower East Side Printshop Residency, New York, New York
Fabric Workshop + Museum, Philadelphia, Pennsylvania

Anonymous Was A Woman, New York, New York
Artist in Residence, Wright Museum of Art, Beloit College, Beloit Wisconsin
National Museum of the American Indian and the Art in Embassies, Tamarind Institute Print Project, Albuquerque,
NM; Washington, D.C.; and embassy locations throughout the globe.
Tamarind Institute, Printmaking Residency, Albuquerque, New Mexico

Joan Mitchell Foundation Fellowship, New York, New York

Seattle Art Museum Betty Bowen Memorial Award, Seattle, Washington
Eiteljorg Museum Artist Fellowship Recipient (Jurors: Patterson Sims, Amei Wallach,Margaret Archuleta, Rick Bartow), Curator: Jennifer Campo McNutt, Eiteljorg Museum, Indianapolis, Indiana

Visual Artist Fellowship, Oregon Arts Commission, Salem, Oregon
Regional Arts and Culture Council: Project & Professional Development Grants Recipient, Portland, OR

Full-year Professional Sabbatical: Portland Community College, Portland, Oregon

Crow's Shadow Institute: Printmaking Residency, Pendlelton, Oregon
Senior Residency & Fellowship: Oregon College of Art and Craft, Portland, Oregon

Crow's Shadow Institute: Printmaking Residency with Frank Janzen, Tamarind Master Printer, Pendleton
Sitka Center for Art and Ecology: Printmaking residency with Julia D'Amario, Pace Editions Master Printer,
Otis, Oregon

Vermont Studio Center: Full Fellowship
Regional Arts & Culture Council: Individual Artist Project Grant

Regional Arts & Culture Council: In Situ Portland Project Grant

Yale University: Elizabeth Cranfield Hicks Award for Drawing

College Art Association: Professional Development Fellowship

Seneca Nation of Indians, Academic Scholarship, Irving, New York
Philip Morris Foundation, Graduate Fellowship
American Indian Graduate Center, Graduate Fellowship, Albuquerque, New Mexico

Americans for Indian Opportunity, Ambassador and Kellogg Fellow, Albuquerque, New Mexico

National Gallery of Art, Internship: Design and Installation, and Education Department, Washington, D.C.