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View drawings from new show in 2021 here
CARBON ELLIPSE, 2018
Water soluble graphite on paper
15 x 13.25 inches
$2,100
GRAPHITE ELLIPSE, 2018
Water soluble graphite on paper
15 x 13.25 inches
$2,100
MIRROR RIM II, 2017-8
Watercolor on paper
27.5 x 24.5 inches
$5,200
MIRROR RIM III, 2018
Watercolor on paper
28.25 x 23.25 inches
$5,200
Open Work: Recent Watercolors
November 3 - December 23, 2016
The Seattle Times, November 22, 2016 review:
At Greg Kucera, catch 2 Seattle artists at the top of their game
Reviews of two masterful exhibitions at Greg Kucera Gallery: Mark Calderon's "Show of Hands" and Jeffrey Simmons' "Open Work: Recent Watercolors."
FIRE SERIF I , 2016
Paper with holes and watercolor
14.25 x 10 inches
$2,000
FIRE SERIF II, 2016
Paper with holes and watercolor
14.25 x 10 inches
$2,000
FIRE SERIF III, 2016
Paper with holes and watercolor
14.25 x 10 inches
$2,000
FIRE SERIF IV, 2016
Paper with holes and watercolor
14.25 x 10 inches
SOLD
FIRE SERIF V, 2016
Paper with holes and watercolor
14.25 x 10 inches
$2,000
AMEN BREAK I, 2016
Watercolor on paper
16.5 x 19.25 inches (2 parts, 16.5 x 9.5 inches each)
$3,200
AMEN BREAK II, 2016
Watercolor on paper
16.5 x 19.25 inches (2 parts, 16.5 x 9.5 inches each)
$3,200
EARTH RESONATOR I, 2016
Watercolor on paper
19.25 x 13.5 inches
$2,400
EARTH RESONATOR II, 2016
Watercolor on paper
19.25 x 13.5 inches
$2,400
MARS RESONATOR I, 2016
Watercolor on paper
19.25 x 13.5 inches
$2,400
MARS RESONATOR II 2016
Watercolor on paper
19.25 x 13.5 inches
$2,400
CERULEAN TRAVELER, 2015
Watercolor on paper
19.25 x 13.5 inches
$2,400
LARGER CADMIUM RESONATOR I, 2015
Watercolor on paper
19.25 x 13.5 inches
$2,400
LARGER BLACK RESONATOR I, 2015
Watercolor on paper
19.25 x 13.5 inches
$2,400
LARGER BLACK RESONATOR II, 2015
Watercolor on paper
19.25 x 13.5 inches
$2,400
LARGER BLACK RESONATOR III, 2015
Watercolor on paper
19.25 x 13.5 inches
$2,400
EARTH TRAVELER, 2016
Watercolor on paper
19.25 x 13.5 inches
$2,400
PALINDROME I, 2012
Watercolor on paper
15 x 6.25 inches each (15 sheets), 45.5 x 32.25 inches total
$6,400
Detail of PALINDROME I, 2012
CIRCUIT, 2010
Watercolor on paper
5 x 13 inches each (10 sheets), 26.25 x 26.25 inches total
HOLD
CHROMATIC RESONATOR IV, 2012
Watercolor on paper
15 x 10.5 inches
$2,000
CHROMATIC RESONATOR V, 2013
Watercolor on paper
15 x 10.5 inches
$2,000
CHROMATIC RESONATOR VI, 2013
Watercolor on paper
15 x 10.5 inches
$2,000
RESONATOR III, 2012
Watercolor on paper
15 x 10 inches
$2,000
RESONATOR IV, 2012
Watercolor on paper
15 x 10 inches
$2,000
RESONATOR V, 2012
Watercolor on paper
15 x 10.75 inches
$2,000
RESONATOR VI, 2012
Watercolor on paper
15 x 10.5 inches
$2,000
SLANTING STACK, 2011
Watercolor on paper
16 x 11.25 inches
$2,000.
ROTATION I, 2010
Watercolor on paper
15 x 11.25 inches
$2,000.
ROTATION II, 2010
Watercolor on paper
22.5 x 15 inches
$2,700
ROTATION III, 2010
Watercolor on paper
22.5 x 15.25 inches
$2,700
SINGULARITY III, 2010
Watercolor on paper
15.25 x 10.5 inches
$1,800
SINGULARITY IV, 2010
Watercolor on paper
15.25 x 10.5 inches
HOLD
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LARGER CHORUS VI (Pale Blue, Orange), 2004
Watercolor on paper, 16.5 x 16.5 inches
$1,800
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LARGER CHORUS VIII (Ultramarine), 2004
Watercolor on paper, 16.5 x 16.5 inches
$1,800
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LARGER CHORUS IX (Violet), 2004
Watercolor on paper, 16.5 x 16.5 inches
$1,800
AURORA (multi-color ring), 2002
Watercolor on paper, 15.5 x 14 inches
$2,000
AMANITA (3 red circles), 2000
Watercolor on paper 11.5 x 11.25 inches
$1,800
DARK CLUSTER (circle mandala), 2000
Watercolor on paper, 11.25 x 11.25 inches
$1,800
SIGNAL (ring), 2000
Watercolor on paper, 11.25 x 11.25 inches
$1,800
UNTITLED MULTI (3 columns rings), 2000
Watercolor on paper, 10 x 8.5 inches
$1,800
Photo Courtesy of Robert Wade
"Simmons' paintings...are the precisionist path. He's working with finely controlled geometric figures, mostly concentric circles. He's still spinning them, discharging the loaded brush on the turning paper, but now with the accuracy and focus of a diamond cutter.
Simmons is working in watercolor, and his palette is as finely controlled as his hand. He calibrates each stripe, for width, saturation and for color. The narrow bands of color are so regular that they look dimensional, like layers of colored paper, sliced through at an angle. He moves from groups of bright stripes through areas of musty, smoggy stripes, from small variations of color to extreme difference in color and in value. It's easy to read concentric circles as targets.
The unsettling outcome of all this fine muscle control and fine mental control is that many of Simmons' works read as the impossibly tidy leftovers of some violent action, as if the paper had been drilled through by a bullet. They're small, tense and stunning."
- Victoria Josslin, Seattle Post-Intelligencer, October 2000
ISAAC WATTS, 2010
Soap ground aquatint on Hahnemühle Copperplate paper
23.25 x 17.5 inches
Edition of 10
$750 unframed
SILENCE, 2010
Drypoint with burnishing on Magnani Pescia paper
20 x 14 inches
Edition of 15
$500 unframed
KOHOUTEK (ghost image), 2010
Drypoint with burnishing on Magnani Pescia paper
20 x 14 inches
Edition of 15
$500 unframed
VELVET, 2010
Soap ground aquatint on Hahnemühle Copperplate paper
20 x 14 inches
Edition of 15
$500 unframed
BLIND AGENT, 2008
White ground aquatint, aquatint, and drypoint.
28 x 20 inches
Edition of 35
$700
TONER DRAWING IV, 1999
Copier toner on paper, 11.25 x 10.25 inches
$750 unframed
TONER DRAWING V, 1999
Copier toner on paper, 10.5 x 6.5 inches
$750 unframed
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